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The setting is 19th-century Vietnam, which Mayfair, and studied film at New York University, renders with delicate precision. May’s new home, in a steep valley with flowering trees and airy wooden buildings, is both paradise and prison. Governed by rigid, patriarchal customs and rituals, her daily routines also make room for solitude and even pleasure. The two senior wives, Lao (Nguyen Nhu Quynh Le) and Xuan (Mai Thu Huong), welcome her with big-sisterly advice about sex, childbirth and domestic politics.
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